ESPACES est un projet artistique qui explore la perception du cosmos et de l’incommensurable à travers les arts figuratifs. Les œuvres naissent du désir de donner une forme visible à l’invisible, en traduisant l’immensité de l’espace et sa nature changeante en objets réels et symboliques.
Chaque création invite à un voyage au-delà des limites de la conscience individuelle, où l’immensité de l’espace relativise le sens de l’existence humaine. Les œuvres d’ESPACES se situent entre l’art, la science et le mythe, évoquant d’anciennes représentations cosmiques telles que le disque de Nebra, pour remettre en question notre place dans l’univers et stimuler une réflexion profonde sur la nature du temps et de la vie.

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ESPACES is an art project that explores the perception of the cosmos and the immeasurable through the figurative arts. The works arise from a desire to give visible form to the invisible, translating the vastness of space and its changing nature into real and symbolic objects.
Each creation invites a journey beyond the limits of individual consciousness, where the immensity of space relativizes the meaning of human existence. ESPACES’ works move between art, science and myth, evoking ancient cosmic representations such as the Disk of Nebra, to question our place in the universe and stimulate deep reflection on the nature of time and life.

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ESPACES è un progetto artistico che esplora la percezione del cosmo e l’incommensurabile attraverso le arti figurative. Le opere nascono dal desiderio di dare forma visibile all’invisibile, traducendo la vastità dello spazio e la sua natura mutevole in oggetti reali e simbolici.

Ogni creazione invita a un viaggio oltre i limiti della coscienza individuale, dove l’immensità dello spazio relativizza il senso dell’esistenza umana. Le opere di ESPACES si muovono tra arte, scienza e mito, evocando antiche rappresentazioni cosmiche come il Disco di Nebra, per interrogare il nostro posto nell’universo e stimolare una riflessione profonda sulla natura del tempo e della vita.

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Title: AFRODITE CNIDIA

Type of Object: Handmade print – Limited edition, n.10 x 4 colors

Materials & Techniques: Linocut printmaking on inorganic paper

Size: Image 46.5 cm × 30 cm

Year: 2018

The works of this series can be read in three different ways. As contemporary symbols derived from Greek-Roman sculptures and references to the ancient canon.

Next the figures can be read as actualizations of myths. The figures’ internal structures are visible. The lines are not anatomical, but are there as visual references to the connection between the bodies senses and the bodies core.

Lastly, the figures are symbolic representations of the psychoanalysis theory of collective memory and that all cultures are built on a mythological structure of love, beauty, courage, etc…

The general thesis aims to highlight the unchanged panorama of human symbols and desires.

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Title: ERCOLE COMBATTENTE

Type of Object: Handmade print – Limited edition, n.10 x 4 colors

Materials & Techniques: Linocut printmaking on inorganic paper

Size: Image 48 cm × 30 cm

Year: 2018

The works of this series can be read in three different ways. As contemporary symbols derived from Greek-Roman sculptures and references to the ancient canon.

Next the figures can be read as actualizations of myths. The figures’ internal structures are visible. The lines are not anatomical, but are there as visual references to the connection between the bodies senses and the bodies core.

Lastly, the figures are symbolic representations of the psychoanalysis theory of collective memory and that all cultures are built on a mythological structure of love, beauty, courage, etc…

The general thesis aims to highlight the unchanged panorama of human symbols and desires.

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Title: PUGILE IN RIPOSO

Type of Object: Handmade print – Limited edition, n.10 x 4 colors

Materials & Techniques: Linocut printmaking on inorganic paper

Size: Image 56.5 cm × 56.5 cm

Year: 2018

The works of this series can be read in three different ways. As contemporary symbols derived from Greek-Roman sculptures and references to the ancient canon.

Next the figures can be read as actualizations of myths. The figures’ internal structures are visible. The lines are not anatomical, but are there as visual references to the connection between the bodies senses and the bodies core.

Lastly, the figures are symbolic representations of the psychoanalysis theory of collective memory and that all cultures are built on a mythological structure of love, beauty, courage, etc…

The general thesis aims to highlight the unchanged panorama of human symbols and desires.

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Title: LE TRE GRAZIE

Type of Object: Handmade print – Limited edition, n.10 x 4 colors

Materials & Techniques: Linocut printmaking on paper

Size: Image 22 cm × 30 cm

Year: 2018

The works of this series can be read in three different ways. As contemporary symbols derived from Greek-Roman sculptures and references to the ancient canon.

Next the figures can be read as actualizations of myths. The figures’ internal structures are visible. The lines are not anatomical, but are there as visual references to the connection between the bodies senses and the bodies core.

Lastly, the figures are symbolic representations of the psychoanalysis theory of collective memory and that all cultures are built on a mythological structure of love, beauty, courage, etc…

The general thesis aims to highlight the unchanged panorama of human symbols and desires.