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The personal approach to Dario Imbò’s tactile art is both traditional and innovative, interpreted in a dynamic and creative expressions. His hands are worshiping operate on more materials always with the intention of creating something artistic, both with the weaving technique and with that of material juxtaposition characterizing his style. These textural surfaces in geometric combinations fill the surfaces of his works always more familiar with an evolving form, research value carried by the author.

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Hand-dyed fabrics, following different paths, mix similar or contrasting colors and subtle fabric twists moving the strict silhouette accompanying junctions which rise suddenly to design the abstract research made by the artist.Hand-dyed fabrics, following different paths, mix similar or contrasting colors and subtle fabric twists moving the strict silhouette accompanying junctions which rise suddenly to design the abstract research made by the artist.The final work is defined as a real textile wall that best expresses his craftsmanship with fine and colorful stripes working for opposing imitations of harmony  and storm themes. His work is defined in rough manner as the materials used, poor in appearance, but rich in communication. Aligning the patient tissue in this work becomes a mixture that takes possession of a new contemporary language, giving to the tactile technique a renewed creativity in a direct relationship with color and material of the fabric ancestry.

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